#Night changes chords and strumming series

The guitar lesson shared above explains everything in a lot of detail – especially the chords and the strumming pattern. It’s a really interesting track, so I’m sure that you’ll really enjoy practicing it! Right Now is an another excellent song that you can practice on your own acoustic guitar. One Direction – What Makes You Beautifulġ5 Easy One Direction Songs – List One Direction – Night Changes As well as making sure the timing is strongly locked in, it’s also important to keep the dynamics even, the aim being not to have certain chords or strums louder than others. Having the A Major chord with a C# in the bass (Major 3rd interval) aids the rising chord progression.Īgain, keep your wrist loose and aim for even up and down strokes as notated on the score.

#Night changes chords and strumming series

This section is based around a repeating 16th-note strumming pattern with a series of ascending chords. To help with this, I played the D/F# chord with my first finger barred at the 2nd fret, with the second finger on the third fret of the second string and the third finger on the 4th fret of the fourth string.

The most challenging part is the quick hammer-on to the D/F# chord in bars 2 and 6. Who Sings Night Changes Night Changes is a song by One Direction. G, Em, Bm, D, C, A, Fm, Cm are the guitar chords for playing Night Changes with the original key (G) on guitar. D - DU - UDU is the suggested strumming pattern for Night Changes. It is important to use a combination of up and down strums and to keep the wrist loose to aid fluency. It was released in 2014 on the album, titled 'Four'. Here you’ll encounter suspended chords and 16th-note strumming in a rock style, similar to that of Pete Townshend. The key thing is that you lock in with the bass and drums, and don’t push ahead. However, you can experiment with up strokes as well. This approach is used to keep a consistent sound and attack for each chord. This example is different from the rest because it is played exclusively with down strokes. This one’s much rockier and harks at players such as Malcolm Young from AC/DC, whose rhythm guitar playing is as solid as it is legendary. Also, we’re in 6/8 time, so remember to think in threes or sixes, counting ‘1, 2 & 3 &, 4, 5 & 6 &’. This style can be challenging at first because of the requirements to go from a precise single bass note to a strummed chord. It’s based around a G Major chord but with moving bass notes. This folky idea borrows from Bob Dylan and a little from Mumford & Sons. To achieve these, lift your fretting hand slightly so that it is still in contact with the strings, but not pushing all the way down to the fretboard. There are some ghost notes here to add to the groove. Keep your wrist loose and ensure an even up and down motion. Approach this example exactly the same as Ex1. Here’s a funky one in the style of Nile Rodgers or Cory Wong. This technique helps with fluency and timing, making it easier to lock in with the groove. With this being a 16th-note pattern, the down beats - the ‘one’ and the ‘and’ should be on down strokes, while the ‘e’ and ‘a’ should be on upstrokes. Of most importance is to keep the strumming hand moving in a consistent up and down motion. Our first example pays homage to Pete Townshend, a great rhythm guitarist. And remember, an acoustic guitar will work for these pieces, too. Too much echo will confuse things, too, so use just enough reverb to make things sound sweet. When adding overdrive, make sure you don’t over saturate things, but allow the clarity of the notes to come through. The above settings form the basis of the clean tones you’ll hear in the examples. Get the toneĪmp settings: Gain 3, Bass 4, Middle 5, Treble 6, Reverb 4 Use them to try out different plectrums, or using no plectrum at all, and make sure that most of the action comes from your wrist and you’re not simply grinding your arm up and down.

There are four examples and a study piece for you this month, each focusing on a different musical style. Of course, every player has their own approach, so spend some time analysing your favourite artists or bands to see how they tackle their rhythm guitar technique. There is of course some movement from the elbow, but most of the movement comes from the wrist. Good strummers tend to play from the wrist, keeping it nice and loose for a fluent and even attack.

Another thing to consider is the physical aspect of strumming.